Why do writers of romantic and erotic fiction do it? Surely even a job at Burger King would be less miserable. Grinding out tale after tale of unlikely and generally undesirable liaisons between gimlet-eyed men and feisty but sweet-hearted women. Some authors are single mothers, I suppose, tied to their homes by their children; some pensioners likewise by their infirmities. And a few are Latin American revolutionaries trying to support the struggle of an indigenous people against an unjust social system.
Like Subcomandante Marcos, leader of the Zapatista revolt in Mexico's Chiapas region. Famous for sporting a quirky balaclava-and-pipe combo, he's got a new book coming out soon. It won't be Mexico's answer to Das Capital. With endearing honesty he admits his motives and adds, "There's no politics in the text this time. Just sex." The Colombian guerrillas sell cocaine to fund their rebellion. This seems a healthier option. Well, more or less healthier, all things considered.
I assume Marcos is using an assumed name on the book cover – or rather, another assumed name. He's a man rather protective of his identity. And 'The Princess and the Pauper by Subcomandante Marcos' doesn't really have the right ring to it. Which raises the intriguing question – is he the first to come up with this idea? Or are some of your Isabella Heavingbosoms and Otto von Shagathons also courageous rebel leaders in disguise? I'd like to think so. Though, of course, others, maybe be supporting less worthy causes. There may be neo-Nazis and genetic cleansers paying the troops by writing of fiery but forbidden love. Defenders of copyright are always telling us that bootleg films and albums often support hardcore criminal activities. The same warnings should go through your mind the next time you consider buying a Mills & Boon.
Monday, May 14, 2007
The Subcomandante and the Siren
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